Museum of Louvre should invite French to celebrate their Monument to Inequality, and tourists to take selfies

Sir, Jo Ellison writes: In January, Jean-Luc Martinez, head of the Louvre, reported a decline of about 2m visitors to the glass pyramid on the Rue de Rivoli, and a loss in revenues of €9.7m. He blamed the attacks as being key… The hotel sector has seen a simple decline: many have reported occupancy rates plummeting by up to 40 per cent. “A night at the museum: Louis Vuitton goes to the Louvre, as Nicolas Ghesquière’s AW17 collection celebrates ‘brand Paris’” March 9.

I sat down with my daughter Alexandra, an art consultant with a M.A. from Christie's Education in Modern and Contemporary Art and the Market, to discuss Louvre’s really horrific decline in visitors. We came to the following (quite preliminary) conclusions.

First that it might be Louvre have catered too much to the tourist and in the process forgotten their nationals. There I suggested an invitation to Thomas Piketty and all his fellow countrymen to come and celebrate more often that great Monument to Inequality that The Museum of Louvre represents. (I am not entirely sure Alexandra was 100% with me on that one… perhaps only 99%  J  )

Also, since the drop in hotel occupancy rates might have also to do with competition from Airbnb, it could result in tourists not feeling as tourists as usual and therefore not behaving as much as tourists, meaning among other, going less to museums. In order to combat this perhaps the Louvre must launch a campaign declaring anyone who has not taken a selfie at the Louvre as not really having been in Paris.

The origins of the selfie is to be found at Louvre

@PerKurowski

When financing art, should Old Masters be credit rated based on their value volatility?

Sir, I refer to John Dizard’s discussion of “the business of lending against art collateral”, “Art world may be struggling but lenders are still happy to rely on an Old Master” February 6.

Dizard writes about a “an avalanche of loan applications from Europe” but “the banks that made lending facilities available in the past are not doing so any more” because the banks “are under tremendous regulatory pressure. Every European bank is scrambling for sufficient capital.”

It is a very interesting article. But, sincerely, should FT not be much more concerned with all the financing of SMEs and entrepreneurs that is not happening in Europe for precisely the same reasons… namely that capital scarce banks are allowed to hold much less capital against assets ex ante perceived or deemed as safe?

That said… might there be room for credit rating of art? That could allow banks to hold less capital against some Old Master that possesses less value volatility. Or would that only incentivize the production of more AAA rated Leonardo Da Vinci fakes?

@PerKurowski ©